In an era where classical music often crosses paths with technology, Juan Pablo Fernández Ramos stands as a unique figure. A physicist at CERN, deeply engaged in scientific research for CIEMAT, he channels his imagination into music, blending rigorous logic and poetic expression. His latest album, La música, el tiempo y la palabra, is not just a collection of pieces, but a cohesive sonic narrative where orchestral writing meets cinematic language with surprising authenticity.
Fernández Ramos’ background is unusual for a composer: scientific by profession, yet a passionate musician since childhood. This dual identity surfaces powerfully in his music, where structural clarity and expressive freedom coexist.
