Edoardo Gastaldi, born in 1998, is an award-nominated film music composer based in Venice, Italy. His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope. After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021 Edoardo started publishing his compositions and productions.
Categoria: Ambient Page 1 of 2
The Geometry of Sound: The Art of Davide Fasiello – Getting Ready for Piano Revenge Festival
Sticky postDavide Fasiello is an Italian pianist and contemporary composer known for his minimalist style, which intertwines piano harmonies with ambient and cinematic atmospheres. Originally from Oria, Fasiello draws on deep emotions, crafting music that invites listeners to reflect and connect with themselves. As one of his inspirations suggests, “Music is the voice of the soul that cannot be expressed in words,” and his pieces often become inner journeys, needing no dialogue. Currently, Davide is studying Composition Applied to Electronic Music at the Conservatory of Lecce, where he continues to explore new sonic horizons. Over the course of his career, he has participated in various festivals, both as a pianist and as a sound designer for multidisciplinary projects, further enriching his artistic language and expanding his versatility.
Review of Dystosyum by Fabrizio Brugnera: A Sonic Journey Through Isolation and Imagination
Sticky postItalian multi-instrumentalist and composer Fabrizio Brugnera presents Dystosyum, an ambitious project that unites a musical album with a novel of the same name, creating a unique, immersive, multi-sensory experience. Living in Scotland and leading his own label, Siril Records, Fabrizio has crafted a work that merges sound and storytelling, inviting listeners into a post-apocalyptic universe filled with introspection and melancholy.
Ultima Canticum, EP 1 is the first in a series of EPs that promise to explore new sonic frontiers by blending natural instrumentation, traditional synthesis, and evolutionary digital processes, as described by the artists themselves. Paul Bavister and Tim Blazdell demonstrate mastery in their use of advanced technologies and hybrid techniques, resulting in soundscapes that are organic and fluid while maintaining experimental complexity. The five tracks offer an immersive listening experience, where each piece stands out as a unique journey, yet they all remain interconnected.
1. Your new EP, Behind the Wall, has just been released. Can you tell us what inspired you during the creation of this project?
We had a feeling like the whole world is boiling, like we all feel that something needs to change globally and we have hit a wall as a species. That’s something we have felt for a long time now and it seemed to us like a lot of people feel that way. We are always positive and we try to bring that positivity to people through our music, we believe in a bright future that is expecting us “Behind the Wall”.
“I AM” is the latest masterpiece by Portuguese composer and pianist Igor Alexandre Ferreira. This album represents an emotional and reflective journey that explores the depths of the human soul through a captivating combination of piano, strings, and sound design. Ferreira’s ability to create evocative and melancholic atmospheres, heavily influenced by neo-classical and contemporary classical music, is evident in every track of this work.
“Embrace” is a piece that represents the perfect union between Shere Fraser’s flute and Juliano’s piano, offering an immersive and transcendent musical experience. Both artists bring their rich experiences and sensitivities into the piece, creating a composition that is as evocative as it is enveloping.
The EP “Caronte a Venezia,” composed by pianist Alberto Marson and accordionist Luca Marzano, is a musical journey that invites listeners to explore the depths of the soul and the quest for inner healing. Consisting of four tracks—”Caronte a Venezia,” “Anima Smarrita,” “Psicostasia,” and “Rinascita”—this work represents a dreamlike experience and spiritual introspection.
In the ambient track titled “dandelion,” a collaboration between Ostel and Edoardo Gastaldi, the listener is invited to embark on a sonic journey that unfolds through the many layers of introspection. Available on Spotify, the track meanders through an ethereal and reflective soundscape, characterized by layers of sound that beckon a deep and personal exploration.
“dandelion” does not follow a linear narrative but opens up like a kaleidoscope of sensations and images, making each listen a unique and subjective experience. The notes intertwine delicately, creating an environment conducive to contemplation and meditation. The floating melodies and ambient sounds merge into a sound texture that, despite its apparent simplicity, manages to evoke an intense range of emotions.
From album Volaverunt