Categoria: Minimalism Page 1 of 8

An Interview with Fabrizio Brugnera: Behind Dystosyum

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Dystosyum is much more than an other-worldly ambient Album and much more than a metaphorical Novel. From first sight, one can perceive the more significant meanings behind the scenes. Dystosyum is motion towards a meaning: a movement, a unidirectional flow guided by thoughtful decisions and a willingness to share one’s experience. Brugnera voluntarily built Dystosyum as a thoroughly detailed immersion.

After reading the book and listening to the Album, the connection between the two appears evident: each detail is relevant to understanding the connotation and the artist’s vision of the creation, where each feature – may it be a sound or a quote, softly links the afterward with the backward, generating a rather grounded philosophy. Without further introduction, let’s dive into an interview with the artist behind Dystosyum: Fabrizio Brugnera.

Review – Atlantic to Adriatic by Edoardo Gastaldi & Jay Brewer

There is an invisible bridge connecting Venice to Boston, a sonic thread weaving through oceans, time, and emotions. Atlantic to Adriatic is more than just an album—it is an immersive experience, blending ambient, neoclassical, and field recording into a timeless dialogue between space and memory. Edoardo Gastaldi and Jay Brewer craft a sonic world that transports the listener to distant places, evoking fragments of life suspended between nostalgia and discovery.

Review of “Impressions, Affections” EP by Stanlee Harris

The Impressions, Affections EP by Stanlee Harris is a sonic journey that blends innovation and artistic sensitivity. Built around the unique cross-hatching technique, where the hands are always crossed during the performance, Harris’s work evokes the dynamism and fluidity of Monet’s brushstrokes. Each track is a musical painting, where harmony and melody blend seamlessly, creating a continuous flow of emotions and impressions.

Matt Wilier and the lasting resonance of time in music: meet the composer at the Piano Revenge Festival

Matt Wilier began improvising on piano at the age of 5, with no knowledge of music other than his own feelings and sensations. After practicing for a few years, it was at the music conservatory that he discovered technique and then classical music. From the age of 12, he would fall asleep listening to Keith Jarrett’s solo piano albums, including ‘The Köln Concert’ and ‘La Scala’. During the same period, after having studied the Romantics (and Chopin’s rubato), he was captivated by impressionist music and became fascinated by the French movement ‘Les Six’. But ultimately, he considers ‘Gaspard de la Nuit’ by Maurice Ravel to be one of the most beautiful piano works. While retaining his initial desire for improvisation, he threw himself into minimalist and repetitive music, freeing himself from judgment and taking an interest in sonic resonances, frequencies and vibrations of the piano as proof of the passage of time.

In 2019, he released his first EP ‘Jours’, a collection of older improvised recordings, and chose to regularly release tracks resulting from his process of creation with the French label, Bruit Blanc. ‘Variations’, his new 11-track album, released in June 2024. The recording of this album was no exception, with Matt once again focusing on resonances.

‘Variations’ is built in the same way, with changing melodies, harmonies and rhythms.

However, this time the piano is not alone, with strings, strings layers, ensemble, and analog bass frequencies as accompaniment. This album is built like an original movie soundtrack. Images flash by as you close your eyes and listen to it.

Same year in September, Matt recorded a few piano-solo tracks after a series of improvisational recordings, which he released in short bursts: ‘Burning Through the Ground’ and ‘A suspended Moment’ (two tracks: ‘A Suspended Moment’ – ‘He hand lovingly caressed her face, she awoke softly and fixed her gaze upon mine’).

Will Jome’s introspective compositions converge at the Piano Revenge Festival

Will Jome is a multi-instrumentalist and composer from the Netherlands, best known for his rich, neo-classical piano compositions. With over 20 years of experience as a professional drummer, Will Jome has established himself in the music industry through his work across various genres. Although his primary instrument is drums, he has always been drawn to the piano, using it as a means to express his compositions from a young age.
His music is deeply influenced by the neo-classical tradition, characterized
emotive melodies and intricate piano arrangements. In 2024, he released his debut album, Nature Walk, a collection of introspective piano pieces inspired by the beauty and tranquility of nature. Throughout his career, Will Jome has collaborated with musicians from diverse backgrounds, further enriching his musical palette. With Nature Walk, he steps into the spotlight as a composer, showcasing his ability to evoke profound emotional landscapes through the piano. His work invites listeners to embark on a sonic journey, offering both a sense of serenity and introspection.

Gastaldi’s Post Classical Minimalism meets Paris: the Piano Revenge Festival Experience

Edoardo Gastaldi, born in 1998, is an award-nominated film music composer based in Venice, Italy. His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope. After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021 Edoardo started publishing his compositions and productions.

The Geometry of Sound: The Art of Davide Fasiello – Getting Ready for Piano Revenge Festival

Davide Fasiello is an Italian pianist and contemporary composer known for his minimalist style, which intertwines piano harmonies with ambient and cinematic atmospheres. Originally from Oria, Fasiello draws on deep emotions, crafting music that invites listeners to reflect and connect with themselves. As one of his inspirations suggests, “Music is the voice of the soul that cannot be expressed in words,” and his pieces often become inner journeys, needing no dialogue. Currently, Davide is studying Composition Applied to Electronic Music at the Conservatory of Lecce, where he continues to explore new sonic horizons. Over the course of his career, he has participated in various festivals, both as a pianist and as a sound designer for multidisciplinary projects, further enriching his artistic language and expanding his versatility.

Getting ready for Piano Revenge Festival 2025: Interviewing Maxime Verdoni

Maxime Verdoni is a French neoclassical pianist and composer from Bordeaux. He began sharing his compositions in 2020, blending sensitivity and creativity. His first works include original music for two collections of poems, written by Paul Lawton and Lucas Clavel, as well as a book of Celle qui aimait.

An Epic Journey into the Heart of Russia: “Russian Piano Album” by An Vedi Review

The “Russian Piano Album”, released on December 23, 2024, is a masterful work that combines technique, storytelling, and emotion. Described by the artist as a “symphony for one instrument,” this collection of 10 tracks offers a profound dive into the landscapes, emotions, and traditions of Russia, captured through a modern and intimate musical language.

Review of Études populaires by Doug Thomas

With his latest album, Études populaires, Doug Thomas invites us on an intimate musical journey where every note seems to tell a story steeped in memory and melancholy. Composed of 16 solo piano tracks, the album fits perfectly within the framework of contemporary minimalism, intertwining melodic simplicity with an emotional intensity that captivates the listener from the very first note.

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