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Piano Revenge Festival welcomes HEMSING, a breaking frontier in Modern Classical Music

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Lasse HEMSING is a German piano player from Hamburg who began releasing his own music on Piano Day in 2022. After finishing school, he studied at the Hamburg School Music and is currently pursuing his Bachelor’s degree in musicology. In May 2024, he released his first solo album called in colour (via @23BIT_Music).

HEMSING enjoys composing and drawing inspiration from various music genres. With his solo work, he successfully navigates a seamless blend of contemporary neoclassic and experimental ambience music. Jazz and Pop/Rock also play a significant role in his music, especially in live performances. As a keyboardist and pianist, HEMSING regularly performs with different groups, such as his Jazz Trio @nujazzavenue and collaboration with singers at numerous concerts and festivals.

Concert Pianist and Composer Julian Trevelyan resonates through Paris: setting up the Piano Revenge Festival

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Julian Trevelyan is a concert pianist who performs regularly throughout Europe and in the UK.

Julian Trevelyan is 26 year old. He moved to France after winning the 2015 Long-Thibaud-Crespin international competition at the age of 16, becoming the youngest prize-winner in the competition’s history. He has since won prizes at international piano competitions such as the Leeds, Géza Anda & Horowitz.

Music as a Living Art: An Interview with Pianist and Composer Doomin Kim | Waiting for Piano Revenge Festival

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Born in 2003 in South Korea, Doomin Kim started to play the piano at the age of seven and soon got a great passion for music. Initially willing to become a composer, he decided, however, at the age of ten, to study seriously piano which gave him a great joy while playing and moved to Italy to study in Imola under Marlies Van Gent at the age of twelve.

A year later, in 2016, after being inspired by the musicianship of Michael Wladkowski, Doomin Kim decided to move to Paris and became his pupil from 2016 to 2024 at the prestigious École Normale de Musique de Paris. He obtained the Superior Diploma of Chamber music in 2019 with professor Chantal De Buchy and in 2022, the Artist Diploma with professor Michael Wladkowski. In 2019, his first solo album ‘Mendelssohn:Piano works’ was released by Warner Classics, which he recorded in 2017, in 38 countries.

The album is reviewed by major music platforms such as Gramophone, France Musique, and also rewarded by Apple Music as ’10 classical albums of the month’. And in the same year, he participated to the ‘Beethoven Complete Works 250th Anniversary Edition‘ by Warner Classics with following recordings: ‘Rare piano solo works’ and ‘Complete 4 hands works’ Doomin Kim had masterclass with numerous world-class musicians such as Peter Lang, Peter Ovtcharov, Anne Queffélec, Ronan O’Hora, Konstantin Semilakovs, Pascal Rogé, Fraçoise Thinat, Phillipe Bianconi, Gordon Fergus-Thompson, Kevin Kenner, Michal Tal and Aquiles Delle Vigne.

Besides perfectioning his pianistic abilities, Doomin Kim is also an amateur composer and improviser and has a great interest to conducting and the organ.

Listen to Doomin’s classicals at Idagio.

Gastaldi’s Post Classical Minimalism meets Paris: the Piano Revenge Festival Experience

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Edoardo Gastaldi, born in 1998, is an award-nominated film music composer based in Venice, Italy. His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope. After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021 Edoardo started publishing his compositions and productions.

The Geometry of Sound: The Art of Davide Fasiello – Getting Ready for Piano Revenge Festival

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Davide Fasiello is an Italian pianist and contemporary composer known for his minimalist style, which intertwines piano harmonies with ambient and cinematic atmospheres. Originally from Oria, Fasiello draws on deep emotions, crafting music that invites listeners to reflect and connect with themselves. As one of his inspirations suggests, “Music is the voice of the soul that cannot be expressed in words,” and his pieces often become inner journeys, needing no dialogue. Currently, Davide is studying Composition Applied to Electronic Music at the Conservatory of Lecce, where he continues to explore new sonic horizons. Over the course of his career, he has participated in various festivals, both as a pianist and as a sound designer for multidisciplinary projects, further enriching his artistic language and expanding his versatility.

Getting ready for Piano Revenge Festival 2025: Interviewing Maxime Verdoni

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Maxime Verdoni is a French neoclassical pianist and composer from Bordeaux. He began sharing his compositions in 2020, blending sensitivity and creativity. His first works include original music for two collections of poems, written by Paul Lawton and Lucas Clavel, as well as a book of Celle qui aimait.

News | Unveiling Piano Revenge, a Festival held in the heart of Paris

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Imagine you’re walking through Paris by night, rue by rue, feeling all the Baudelarian’s Spleen and breathing all the history, until… a moment. You stop, captured by some distant music. Softly you recognize Satie’s notes, while they start filling those voids you didn’t even imagine to have.

Most likely you were walking around Île Saint-Louis, and the music was coming from the Piano Revenge Festival!

Beyond the Boundaries of Music: Anna Bondareva and the Evolution of Sound Between Harmony and Dissonance

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In this insightful interview, composer and pianist Anna Bondareva explores the delicate balance between tradition and modernity in her music. She shares her thoughts on the role of dissonance, the influence of early 20th-century neoclassical composers, and her improvisational approach to performance. Bondareva’s artistic journey reveals a deep connection to classical forms while fearlessly venturing into new sonic territories.

THE MESSAGE COMES FIRST: A CONVERSATION WITH THE SHELIAK TRIO.

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When you wish upon a star, as they say, you get lots of stuff. Well, the Sheliak Trio is actually named after a star, and I can tell that chatting with Matilde Michelozzi (cello), Emanuele Brilli (violin) and Sergio Costa (piano) has undoubtedly been a highly rewarding experience. That is to say that I hope this conversation could prove itself as part of the equation not only in my own eyes, but also in yours. Ready to find out something more about this Italian chamber group and their thoughts and feelings regarding music-making?

Interview with Man From Mars for the release of Behind the Wall

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1. Your new EP, Behind the Wall, has just been released. Can you tell us what inspired you during the creation of this project?

We had a feeling like the whole world is boiling, like we all feel that something needs to change globally and we have hit a wall as a species. That’s something we have felt for a long time now and it seemed to us like a lot of people feel that way. We are always positive and we try to bring that positivity to people through our music, we believe in a bright future that is expecting us “Behind the Wall”.

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