Autore: Davide Fasiello Page 1 of 2

Review of Dystosyum by Fabrizio Brugnera: A Sonic Journey Through Isolation and Imagination

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Italian multi-instrumentalist and composer Fabrizio Brugnera presents Dystosyum, an ambitious project that unites a musical album with a novel of the same name, creating a unique, immersive, multi-sensory experience. Living in Scotland and leading his own label, Siril Records, Fabrizio has crafted a work that merges sound and storytelling, inviting listeners into a post-apocalyptic universe filled with introspection and melancholy.

A Room for You: An Intimate Journey Through Memory and Sound

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“A Room for You” by Riccardo Roveda is a piece that invites the listener to enter an intimate sonic space, where every note holds memories of loved ones and unforgettable moments. With a style that blends the delicacy of classical piano and electronic textures, Roveda creates a welcoming, yet deeply reflective, atmosphere.

Beyond the Boundaries of Music: Anna Bondareva and the Evolution of Sound Between Harmony and Dissonance

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In this insightful interview, composer and pianist Anna Bondareva explores the delicate balance between tradition and modernity in her music. She shares her thoughts on the role of dissonance, the influence of early 20th-century neoclassical composers, and her improvisational approach to performance. Bondareva’s artistic journey reveals a deep connection to classical forms while fearlessly venturing into new sonic territories.

REVIEW OF ULTIMA CANTICUM, EP 1 BY PAUL BAVISTER AND TIM BLAZDELL

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Ultima Canticum, EP 1 is the first in a series of EPs that promise to explore new sonic frontiers by blending natural instrumentation, traditional synthesis, and evolutionary digital processes, as described by the artists themselves. Paul Bavister and Tim Blazdell demonstrate mastery in their use of advanced technologies and hybrid techniques, resulting in soundscapes that are organic and fluid while maintaining experimental complexity. The five tracks offer an immersive listening experience, where each piece stands out as a unique journey, yet they all remain interconnected.

Interview with Man From Mars for the release of Behind the Wall

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1. Your new EP, Behind the Wall, has just been released. Can you tell us what inspired you during the creation of this project?

We had a feeling like the whole world is boiling, like we all feel that something needs to change globally and we have hit a wall as a species. That’s something we have felt for a long time now and it seemed to us like a lot of people feel that way. We are always positive and we try to bring that positivity to people through our music, we believe in a bright future that is expecting us “Behind the Wall”.

“Gloom’s Serenade” by Dystosyum

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“Gloom’s Serenade” by Dystosyum is a solo piano piece that immediately captivates the listener with its elongated and emotion-laden tones. From the very first notes, the composer creates an enveloping atmosphere, transporting the listener on an intense and profound emotional journey.

One of the most distinctive features of this piece is the use of a tape recorder, which adds a unique and immersive dimension to the composition. The tape sound introduces an element of nostalgia and imperfection, amplifying the melancholic tone of the piece and making the emotions resonate even more vividly and palpably.

The piano notes, played with delicacy and precision, seem suspended in time, each rich with nuances and resonances. This stylistic choice gives the piece an ethereal quality, as if each note were a breath, a deep thought, or a distant memory. The slow and measured rhythm allows each sound to emerge with clarity, giving the listener space to savor every emotional nuance.

The tape recorder, with its subtle distortions and characteristic hiss, not only adds a fascinating sonic texture but also creates a sense of intimacy and authenticity. It is as if Dystosyum is inviting us into his inner world, sharing his deepest thoughts and feelings through music.

Review of the Album “I AM” by Igor Alexandre Ferreira

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“I AM” is the latest masterpiece by Portuguese composer and pianist Igor Alexandre Ferreira. This album represents an emotional and reflective journey that explores the depths of the human soul through a captivating combination of piano, strings, and sound design. Ferreira’s ability to create evocative and melancholic atmospheres, heavily influenced by neo-classical and contemporary classical music, is evident in every track of this work.

“Embrace” by Shere Fraser and Juliano

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“Embrace” is a piece that represents the perfect union between Shere Fraser’s flute and Juliano’s piano, offering an immersive and transcendent musical experience. Both artists bring their rich experiences and sensitivities into the piece, creating a composition that is as evocative as it is enveloping.

“Hammock” by Lise Jonsson

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Lise Jonsson is a Norwegian composer, pianist, and music educator known for her ability to convey deep emotions through her compositions. Her musical career began at an early age, playing the piano by ear at just seven years old and composing her first melodies at twelve. Since 2015, Jonsson has intensified her musical production as a form of therapy and self-expression, releasing music under four different monikers that highlight her compositional, pianistic, and creative skills. Her music reflects the richness of her academic experiences, her background as a music teacher, and her life experiences, drawing inspiration from the beauty of the Norwegian countryside and her walks in the woods with her dog.

“Caronte a Venezia” by Alberto Marson and Luca Marzano

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The EP “Caronte a Venezia,” composed by pianist Alberto Marson and accordionist Luca Marzano, is a musical journey that invites listeners to explore the depths of the soul and the quest for inner healing. Consisting of four tracks—”Caronte a Venezia,” “Anima Smarrita,” “Psicostasia,” and “Rinascita”—this work represents a dreamlike experience and spiritual introspection.

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