Mese: Febbraio 2025

Matt Wilier and the lasting resonance of time in music: meet the composer at the Piano Revenge Festival

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Matt Wilier began improvising on piano at the age of 5, with no knowledge of music other than his own feelings and sensations. After practicing for a few years, it was at the music conservatory that he discovered technique and then classical music. From the age of 12, he would fall asleep listening to Keith Jarrett’s solo piano albums, including ‘The Köln Concert’ and ‘La Scala’. During the same period, after having studied the Romantics (and Chopin’s rubato), he was captivated by impressionist music and became fascinated by the French movement ‘Les Six’. But ultimately, he considers ‘Gaspard de la Nuit’ by Maurice Ravel to be one of the most beautiful piano works. While retaining his initial desire for improvisation, he threw himself into minimalist and repetitive music, freeing himself from judgment and taking an interest in sonic resonances, frequencies and vibrations of the piano as proof of the passage of time.

In 2019, he released his first EP ‘Jours’, a collection of older improvised recordings, and chose to regularly release tracks resulting from his process of creation with the French label, Bruit Blanc. ‘Variations’, his new 11-track album, released in June 2024. The recording of this album was no exception, with Matt once again focusing on resonances.

‘Variations’ is built in the same way, with changing melodies, harmonies and rhythms.

However, this time the piano is not alone, with strings, strings layers, ensemble, and analog bass frequencies as accompaniment. This album is built like an original movie soundtrack. Images flash by as you close your eyes and listen to it.

Same year in September, Matt recorded a few piano-solo tracks after a series of improvisational recordings, which he released in short bursts: ‘Burning Through the Ground’ and ‘A suspended Moment’ (two tracks: ‘A Suspended Moment’ – ‘He hand lovingly caressed her face, she awoke softly and fixed her gaze upon mine’).

Cameron Segal at the Piano Revenge Festival: shaping the trajectories of neoclassical music

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Cameron Segal is an Australian pianist and composer based in London, known for creating music that inspires mindfulness and calm. His neoclassical piano pieces are deeply reflective, weaving gentle melodies with ambient textures to help listeners slow down and reconnect with the present moment. With over 50 million streams on digital platforms, Cameron’s music has reached audiences worldwide, offering a sense of peace in a busy world.

Beyond the piano, Cameron is known for his unique mindfulness concerts. These immersive events feature warm lighting, nature-inspired soundscapes, and even guided meditations, offering audiences a rare chance to pause and reflect. For Cameron, music isn’t just something to listen to— it’s an experience to feel. Whether on stage or through a pair of headphones, Cameron’s goal remains the same: to create a moment of calm in the noise of everyday life.

Anna Bondareva and the Piano Revenge Festival: a bridge between music tradition and innovation

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Anna’s music is marked by a particular use of dissonances and a neoclassical style reminiscent of compositions from the early 20th century. The Paris-based composer has a unique and introspective sound world; her live performances are highly expressive and dynamic. Anna Bondareva’s piano pieces create delicate and meditative atmospheres, where music becomes a form of personal and intense expression. The artist is committed to building sonic environments that reflect her inner world, exploring themes such as introspection, vulnerability and personal growth. Anna has a strong interest in experimental music and improvisation. Her innovative piano techniques can be heard expanding sonic possibilities. This approach allows the musician to move from tradition to innovation, creating evocative and transformative compositions. Since 2018, Anna has been releasing her solo piano albums under the label 𝘈𝘉 𝘕𝘦𝘰𝘊𝘭𝘢𝘴𝘴𝘪𝘤𝘢𝘭 𝘔𝘶𝘴𝘪𝘤, performing her own compositions, with a total of more than 50 albums available on streaming platforms. Anna Bondareva is a founder and artistic director of Piano Revenge festival.

The Music versatility of Benjamin Cook resounds at the Piano Revenge Festival

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British pianist and composer Benjamin Cook masterfully blends modern classical music with the nuanced influences of Max Richter, Ludovico Einaudi, and the timeless legacy of Frédéric Chopin.
In 2022, Cook made a bold entry into the music scene with his debut single, Blossom. Since then, he has captivated audiences worldwide, garnering over 500,000 streams and earning acclaim for his collaborations with the Northern Film Orchestra.
A versatile composer, Cook has worked on feature films, short films, and advertisements, with credits including BBC One, Channel 4, Channel 5, Amazon Prime, and Tubi.
Cook’s reputation soared in 2024 when Scala Radio named him a “One to Watch” composer, while BBC Music Introducing described his work as “Utterly Divine.” That same year, he performed at London’s prestigious Southbank Centre and Sofar Sounds in Piccadilly Circus.
Looking ahead, Cook is set to release his first EP of original compositions for piano and strings, further solidifying his place as a distinctive voice in modern classical music.

Nicolas Dedieu at the Piano Revenge Festival: music as a part of our lives.

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Born in 1992, Nicolas entered the Conservatoire à Rayonnement Régional de Montpellier at the age of seven to learn double bass, music theory and singing. After obtaining a literary baccalaureate specializing in music, Nicolas Dedieu turned to musical writing, which he studied from 2013 at the Ecole Normale de Musique de Paris. He also obtained a diploma in higher harmony and a certificate in orchestration. He then joined the C.R.R in Paris to obtain a D.E.M in orchestration, validated in 2019 under the direction of Anthony Girard. Nicolas teaches musical writing while devoting himself to composition. Passionate about French music, his favorite composers include, among others: Fauré, Duparc, Debussy, Ravel, De Séverac, Duruflé…Dedieu’s musical language is intended to reflect these admirations, even if his music sometimes incorporates more romantic influences. Recently, Nicolas had the opportunity to have several of his works performed in France, as well as abroad, in Georgia, on the occasion of the Bidzina Kvernadze International Music Festival, in collaboration with the musicians of the Rustaveli National Theatre in Tbilisi.

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