Matt Wilier and the lasting resonance of time in music: meet the composer at the Piano Revenge Festival

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Matt Wilier began improvising on piano at the age of 5, with no knowledge of music other than his own feelings and sensations. After practicing for a few years, it was at the music conservatory that he discovered technique and then classical music. From the age of 12, he would fall asleep listening to Keith Jarrett’s solo piano albums, including ‘The Köln Concert’ and ‘La Scala’. During the same period, after having studied the Romantics (and Chopin’s rubato), he was captivated by impressionist music and became fascinated by the French movement ‘Les Six’. But ultimately, he considers ‘Gaspard de la Nuit’ by Maurice Ravel to be one of the most beautiful piano works. While retaining his initial desire for improvisation, he threw himself into minimalist and repetitive music, freeing himself from judgment and taking an interest in sonic resonances, frequencies and vibrations of the piano as proof of the passage of time.

In 2019, he released his first EP ‘Jours’, a collection of older improvised recordings, and chose to regularly release tracks resulting from his process of creation with the French label, Bruit Blanc. ‘Variations’, his new 11-track album, released in June 2024. The recording of this album was no exception, with Matt once again focusing on resonances.

‘Variations’ is built in the same way, with changing melodies, harmonies and rhythms.

However, this time the piano is not alone, with strings, strings layers, ensemble, and analog bass frequencies as accompaniment. This album is built like an original movie soundtrack. Images flash by as you close your eyes and listen to it.

Same year in September, Matt recorded a few piano-solo tracks after a series of improvisational recordings, which he released in short bursts: ‘Burning Through the Ground’ and ‘A suspended Moment’ (two tracks: ‘A Suspended Moment’ – ‘He hand lovingly caressed her face, she awoke softly and fixed her gaze upon mine’).

Cameron Segal at the Piano Revenge Festival: shaping the trajectories of neoclassical music

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Cameron Segal is an Australian pianist and composer based in London, known for creating music that inspires mindfulness and calm. His neoclassical piano pieces are deeply reflective, weaving gentle melodies with ambient textures to help listeners slow down and reconnect with the present moment. With over 50 million streams on digital platforms, Cameron’s music has reached audiences worldwide, offering a sense of peace in a busy world.

Beyond the piano, Cameron is known for his unique mindfulness concerts. These immersive events feature warm lighting, nature-inspired soundscapes, and even guided meditations, offering audiences a rare chance to pause and reflect. For Cameron, music isn’t just something to listen to— it’s an experience to feel. Whether on stage or through a pair of headphones, Cameron’s goal remains the same: to create a moment of calm in the noise of everyday life.

Anna Bondareva and the Piano Revenge Festival: a bridge between music tradition and innovation

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Anna’s music is marked by a particular use of dissonances and a neoclassical style reminiscent of compositions from the early 20th century. The Paris-based composer has a unique and introspective sound world; her live performances are highly expressive and dynamic. Anna Bondareva’s piano pieces create delicate and meditative atmospheres, where music becomes a form of personal and intense expression. The artist is committed to building sonic environments that reflect her inner world, exploring themes such as introspection, vulnerability and personal growth. Anna has a strong interest in experimental music and improvisation. Her innovative piano techniques can be heard expanding sonic possibilities. This approach allows the musician to move from tradition to innovation, creating evocative and transformative compositions. Since 2018, Anna has been releasing her solo piano albums under the label 𝘈𝘉 𝘕𝘦𝘰𝘊𝘭𝘢𝘴𝘴𝘪𝘤𝘢𝘭 𝘔𝘶𝘴𝘪𝘤, performing her own compositions, with a total of more than 50 albums available on streaming platforms. Anna Bondareva is a founder and artistic director of Piano Revenge festival.

The Music versatility of Benjamin Cook resounds at the Piano Revenge Festival

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British pianist and composer Benjamin Cook masterfully blends modern classical music with the nuanced influences of Max Richter, Ludovico Einaudi, and the timeless legacy of Frédéric Chopin.
In 2022, Cook made a bold entry into the music scene with his debut single, Blossom. Since then, he has captivated audiences worldwide, garnering over 500,000 streams and earning acclaim for his collaborations with the Northern Film Orchestra.
A versatile composer, Cook has worked on feature films, short films, and advertisements, with credits including BBC One, Channel 4, Channel 5, Amazon Prime, and Tubi.
Cook’s reputation soared in 2024 when Scala Radio named him a “One to Watch” composer, while BBC Music Introducing described his work as “Utterly Divine.” That same year, he performed at London’s prestigious Southbank Centre and Sofar Sounds in Piccadilly Circus.
Looking ahead, Cook is set to release his first EP of original compositions for piano and strings, further solidifying his place as a distinctive voice in modern classical music.

Nicolas Dedieu at the Piano Revenge Festival: music as a part of our lives.

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Born in 1992, Nicolas entered the Conservatoire à Rayonnement Régional de Montpellier at the age of seven to learn double bass, music theory and singing. After obtaining a literary baccalaureate specializing in music, Nicolas Dedieu turned to musical writing, which he studied from 2013 at the Ecole Normale de Musique de Paris. He also obtained a diploma in higher harmony and a certificate in orchestration. He then joined the C.R.R in Paris to obtain a D.E.M in orchestration, validated in 2019 under the direction of Anthony Girard. Nicolas teaches musical writing while devoting himself to composition. Passionate about French music, his favorite composers include, among others: Fauré, Duparc, Debussy, Ravel, De Séverac, Duruflé…Dedieu’s musical language is intended to reflect these admirations, even if his music sometimes incorporates more romantic influences. Recently, Nicolas had the opportunity to have several of his works performed in France, as well as abroad, in Georgia, on the occasion of the Bidzina Kvernadze International Music Festival, in collaboration with the musicians of the Rustaveli National Theatre in Tbilisi.

Will Jome’s introspective compositions converge at the Piano Revenge Festival

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Will Jome is a multi-instrumentalist and composer from the Netherlands, best known for his rich, neo-classical piano compositions. With over 20 years of experience as a professional drummer, Will Jome has established himself in the music industry through his work across various genres. Although his primary instrument is drums, he has always been drawn to the piano, using it as a means to express his compositions from a young age.
His music is deeply influenced by the neo-classical tradition, characterized
emotive melodies and intricate piano arrangements. In 2024, he released his debut album, Nature Walk, a collection of introspective piano pieces inspired by the beauty and tranquility of nature. Throughout his career, Will Jome has collaborated with musicians from diverse backgrounds, further enriching his musical palette. With Nature Walk, he steps into the spotlight as a composer, showcasing his ability to evoke profound emotional landscapes through the piano. His work invites listeners to embark on a sonic journey, offering both a sense of serenity and introspection.

Exploring the roots of music with Patrice Carpentier: concert pianist and music teacher embracing the Piano Revenge Festival

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Patrice Carpentier began playing the piano at the age of 2. At the age of 4, he had the first encounter that would mark his musical history: Francis Poulenc noticed him and encouraged his very young vocation. In 1962, the second decisive encounter of his career occurred. He entered the Ecole Normale de Musique de Paris in the class of Serge Petitgirard who would be his teacher and Master for many years. At the age of twenty, helped by the composer Jean Wiener, Patrice Carpentier prepared his first concert.

At the request of his students, he created the Ecole de Piano Carpentier de la Salle Pleyel in 1988. At the same time, his friend Geneviève Martigny and eminent pianists such as Aldo Ciccolini, Pierre Sancan and Ghéza Duma encouraged his concert career.

Numerous recitals, in France and abroad, established his reputation.

When chill electronic meets modern classical: announcing Riccardo Roveda’s landing in Paris at the Piano Revenge Festival

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Riccardo Roveda is an electronic and piano producer from Milan. From a young age, he has shown a great passion for music and decided to
undertake private studies in classical, jazz, and electronics at the
Academy of sound in Milan, later following the compositional study at
the prestigious Educational Musica Academy with maestro Roberto
Cacciapaglia. His training has allowed him to develop a great
versatility in style and create a unique and original sound
characterized by chill electronic and modern classic style.
His sound is a blend of classical and electronic melodies, creating a unique experience for listeners. Riccardo has performed in many concerts in Italy, showing his talent as a musician and his ability to involve the audience.

His particular style has been highly appreciated by the public and
critics, who have praised him for his originality and creativity.
His project is available on all musical platforms and it is published with Believe label.

Music as a Realization of the Self: Kowalski’s compositions resonate at the Piano Revenge Festival

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Oscar Kowalski is a composer, producer and pianist from Vannes in Morbihan. He started alone, playing the piano, spending hours composing and exploring pieces. Stimulated by music, Oscar learned other instruments such as drums, bass and guitar. At 20, he decided to leave his studies in economics to devote himself entirely to music, by joining a university of modern music in London.

Inspired by all types of music, Oscar likes to produce and compose according to his inspiration.

Nourished by a wide musical palette, mixing classical influences with modern sounds. His style is mainly between neoclassical, ambient and experimental, and he seeks to transport his listeners into unique emotional landscapes. Works such as Le Passage and Allée des Pensées illustrate well his artistic approach, combining delicate melodies and technically demanding compositions.

Piano Revenge Festival welcomes HEMSING, a breaking frontier in Modern Classical Music

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Lasse HEMSING is a German piano player from Hamburg who began releasing his own music on Piano Day in 2022. After finishing school, he studied at the Hamburg School Music and is currently pursuing his Bachelor’s degree in musicology. In May 2024, he released his first solo album called in colour (via @23BIT_Music).

HEMSING enjoys composing and drawing inspiration from various music genres. With his solo work, he successfully navigates a seamless blend of contemporary neoclassic and experimental ambience music. Jazz and Pop/Rock also play a significant role in his music, especially in live performances. As a keyboardist and pianist, HEMSING regularly performs with different groups, such as his Jazz Trio @nujazzavenue and collaboration with singers at numerous concerts and festivals.

Concert Pianist and Composer Julian Trevelyan resonates through Paris: setting up the Piano Revenge Festival

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Julian Trevelyan is a concert pianist who performs regularly throughout Europe and in the UK.

Julian Trevelyan is 26 year old. He moved to France after winning the 2015 Long-Thibaud-Crespin international competition at the age of 16, becoming the youngest prize-winner in the competition’s history. He has since won prizes at international piano competitions such as the Leeds, Géza Anda & Horowitz.

Music as a Living Art: An Interview with Pianist and Composer Doomin Kim | Waiting for Piano Revenge Festival

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Born in 2003 in South Korea, Doomin Kim started to play the piano at the age of seven and soon got a great passion for music. Initially willing to become a composer, he decided, however, at the age of ten, to study seriously piano which gave him a great joy while playing and moved to Italy to study in Imola under Marlies Van Gent at the age of twelve.

A year later, in 2016, after being inspired by the musicianship of Michael Wladkowski, Doomin Kim decided to move to Paris and became his pupil from 2016 to 2024 at the prestigious École Normale de Musique de Paris. He obtained the Superior Diploma of Chamber music in 2019 with professor Chantal De Buchy and in 2022, the Artist Diploma with professor Michael Wladkowski. In 2019, his first solo album ‘Mendelssohn:Piano works’ was released by Warner Classics, which he recorded in 2017, in 38 countries.

The album is reviewed by major music platforms such as Gramophone, France Musique, and also rewarded by Apple Music as ’10 classical albums of the month’. And in the same year, he participated to the ‘Beethoven Complete Works 250th Anniversary Edition‘ by Warner Classics with following recordings: ‘Rare piano solo works’ and ‘Complete 4 hands works’ Doomin Kim had masterclass with numerous world-class musicians such as Peter Lang, Peter Ovtcharov, Anne Queffélec, Ronan O’Hora, Konstantin Semilakovs, Pascal Rogé, Fraçoise Thinat, Phillipe Bianconi, Gordon Fergus-Thompson, Kevin Kenner, Michal Tal and Aquiles Delle Vigne.

Besides perfectioning his pianistic abilities, Doomin Kim is also an amateur composer and improviser and has a great interest to conducting and the organ.

Listen to Doomin’s classicals at Idagio.

Gastaldi’s Post Classical Minimalism meets Paris: the Piano Revenge Festival Experience

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Edoardo Gastaldi, born in 1998, is an award-nominated film music composer based in Venice, Italy. His style combines slow piano lines with deep ambient atmospheres. In his creations, the frontier of repetitive post-classical minimalism meets deep compositional ambient layers, leading his arrangements to become a philosophical thread of condensed melancholy and sparse hope. After several years of music studies, which provided him with formal training ranging from classical piano to music theory, in the summer of 2021 Edoardo started publishing his compositions and productions.

The Geometry of Sound: The Art of Davide Fasiello – Getting Ready for Piano Revenge Festival

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Davide Fasiello is an Italian pianist and contemporary composer known for his minimalist style, which intertwines piano harmonies with ambient and cinematic atmospheres. Originally from Oria, Fasiello draws on deep emotions, crafting music that invites listeners to reflect and connect with themselves. As one of his inspirations suggests, “Music is the voice of the soul that cannot be expressed in words,” and his pieces often become inner journeys, needing no dialogue. Currently, Davide is studying Composition Applied to Electronic Music at the Conservatory of Lecce, where he continues to explore new sonic horizons. Over the course of his career, he has participated in various festivals, both as a pianist and as a sound designer for multidisciplinary projects, further enriching his artistic language and expanding his versatility.

Getting ready for Piano Revenge Festival 2025: Interviewing Maxime Verdoni

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Maxime Verdoni is a French neoclassical pianist and composer from Bordeaux. He began sharing his compositions in 2020, blending sensitivity and creativity. His first works include original music for two collections of poems, written by Paul Lawton and Lucas Clavel, as well as a book of Celle qui aimait.

An Epic Journey into the Heart of Russia: “Russian Piano Album” by An Vedi Review

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The “Russian Piano Album”, released on December 23, 2024, is a masterful work that combines technique, storytelling, and emotion. Described by the artist as a “symphony for one instrument,” this collection of 10 tracks offers a profound dive into the landscapes, emotions, and traditions of Russia, captured through a modern and intimate musical language.

News | Unveiling Piano Revenge, a Festival held in the heart of Paris

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Imagine you’re walking through Paris by night, rue by rue, feeling all the Baudelarian’s Spleen and breathing all the history, until… a moment. You stop, captured by some distant music. Softly you recognize Satie’s notes, while they start filling those voids you didn’t even imagine to have.

Most likely you were walking around Île Saint-Louis, and the music was coming from the Piano Revenge Festival!

Review of Études populaires by Doug Thomas

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With his latest album, Études populaires, Doug Thomas invites us on an intimate musical journey where every note seems to tell a story steeped in memory and melancholy. Composed of 16 solo piano tracks, the album fits perfectly within the framework of contemporary minimalism, intertwining melodic simplicity with an emotional intensity that captivates the listener from the very first note.

Review of Dystosyum by Fabrizio Brugnera: A Sonic Journey Through Isolation and Imagination

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Italian multi-instrumentalist and composer Fabrizio Brugnera presents Dystosyum, an ambitious project that unites a musical album with a novel of the same name, creating a unique, immersive, multi-sensory experience. Living in Scotland and leading his own label, Siril Records, Fabrizio has crafted a work that merges sound and storytelling, inviting listeners into a post-apocalyptic universe filled with introspection and melancholy.

A Room for You: An Intimate Journey Through Memory and Sound

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“A Room for You” by Riccardo Roveda is a piece that invites the listener to enter an intimate sonic space, where every note holds memories of loved ones and unforgettable moments. With a style that blends the delicacy of classical piano and electronic textures, Roveda creates a welcoming, yet deeply reflective, atmosphere.

Beyond the Boundaries of Music: Anna Bondareva and the Evolution of Sound Between Harmony and Dissonance

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In this insightful interview, composer and pianist Anna Bondareva explores the delicate balance between tradition and modernity in her music. She shares her thoughts on the role of dissonance, the influence of early 20th-century neoclassical composers, and her improvisational approach to performance. Bondareva’s artistic journey reveals a deep connection to classical forms while fearlessly venturing into new sonic territories.

REVIEW OF ULTIMA CANTICUM, EP 1 BY PAUL BAVISTER AND TIM BLAZDELL

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Ultima Canticum, EP 1 is the first in a series of EPs that promise to explore new sonic frontiers by blending natural instrumentation, traditional synthesis, and evolutionary digital processes, as described by the artists themselves. Paul Bavister and Tim Blazdell demonstrate mastery in their use of advanced technologies and hybrid techniques, resulting in soundscapes that are organic and fluid while maintaining experimental complexity. The five tracks offer an immersive listening experience, where each piece stands out as a unique journey, yet they all remain interconnected.

THE MESSAGE COMES FIRST: A CONVERSATION WITH THE SHELIAK TRIO.

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When you wish upon a star, as they say, you get lots of stuff. Well, the Sheliak Trio is actually named after a star, and I can tell that chatting with Matilde Michelozzi (cello), Emanuele Brilli (violin) and Sergio Costa (piano) has undoubtedly been a highly rewarding experience. That is to say that I hope this conversation could prove itself as part of the equation not only in my own eyes, but also in yours. Ready to find out something more about this Italian chamber group and their thoughts and feelings regarding music-making?

Interview with Man From Mars for the release of Behind the Wall

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1. Your new EP, Behind the Wall, has just been released. Can you tell us what inspired you during the creation of this project?

We had a feeling like the whole world is boiling, like we all feel that something needs to change globally and we have hit a wall as a species. That’s something we have felt for a long time now and it seemed to us like a lot of people feel that way. We are always positive and we try to bring that positivity to people through our music, we believe in a bright future that is expecting us “Behind the Wall”.

“Gloom’s Serenade” by Dystosyum

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“Gloom’s Serenade” by Dystosyum is a solo piano piece that immediately captivates the listener with its elongated and emotion-laden tones. From the very first notes, the composer creates an enveloping atmosphere, transporting the listener on an intense and profound emotional journey.

One of the most distinctive features of this piece is the use of a tape recorder, which adds a unique and immersive dimension to the composition. The tape sound introduces an element of nostalgia and imperfection, amplifying the melancholic tone of the piece and making the emotions resonate even more vividly and palpably.

The piano notes, played with delicacy and precision, seem suspended in time, each rich with nuances and resonances. This stylistic choice gives the piece an ethereal quality, as if each note were a breath, a deep thought, or a distant memory. The slow and measured rhythm allows each sound to emerge with clarity, giving the listener space to savor every emotional nuance.

The tape recorder, with its subtle distortions and characteristic hiss, not only adds a fascinating sonic texture but also creates a sense of intimacy and authenticity. It is as if Dystosyum is inviting us into his inner world, sharing his deepest thoughts and feelings through music.

Review of the Album “I AM” by Igor Alexandre Ferreira

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“I AM” is the latest masterpiece by Portuguese composer and pianist Igor Alexandre Ferreira. This album represents an emotional and reflective journey that explores the depths of the human soul through a captivating combination of piano, strings, and sound design. Ferreira’s ability to create evocative and melancholic atmospheres, heavily influenced by neo-classical and contemporary classical music, is evident in every track of this work.

“Embrace” by Shere Fraser and Juliano

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“Embrace” is a piece that represents the perfect union between Shere Fraser’s flute and Juliano’s piano, offering an immersive and transcendent musical experience. Both artists bring their rich experiences and sensitivities into the piece, creating a composition that is as evocative as it is enveloping.

FINDING STRENGTH IN HUMAN FRAILTY: A CONVERSATION WITH SUSANNE DARRE.

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Norwegian landscapes… 
…Arctic climate conditions…
…an old barn…
…a piano…
…a handful of both ambient and electronic sounds…
…a brand new album titled Fragile.

All around and in the hands of a woman and pianist-composer called Susanne Darre. 

Guided by this very Nordic recipe, I shared an intriguing chat with her: let’s now savour her thoughts and feelings about her own work, personality and the new album.

“Hammock” by Lise Jonsson

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Lise Jonsson is a Norwegian composer, pianist, and music educator known for her ability to convey deep emotions through her compositions. Her musical career began at an early age, playing the piano by ear at just seven years old and composing her first melodies at twelve. Since 2015, Jonsson has intensified her musical production as a form of therapy and self-expression, releasing music under four different monikers that highlight her compositional, pianistic, and creative skills. Her music reflects the richness of her academic experiences, her background as a music teacher, and her life experiences, drawing inspiration from the beauty of the Norwegian countryside and her walks in the woods with her dog.

“Caronte a Venezia” by Alberto Marson and Luca Marzano

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The EP “Caronte a Venezia,” composed by pianist Alberto Marson and accordionist Luca Marzano, is a musical journey that invites listeners to explore the depths of the soul and the quest for inner healing. Consisting of four tracks—”Caronte a Venezia,” “Anima Smarrita,” “Psicostasia,” and “Rinascita”—this work represents a dreamlike experience and spiritual introspection.

“Pausé” by Raphael Beaudon

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Pausé” is a piece that stands out for its ability to evoke deep emotions through a minimalist and delicate composition. Raphael Beaudon, known for his talent in creating evocative soundtracks, once again manages to transport the listener into a unique sound universe.

Beaudon’s music draws inspiration from various sources, including cinema and literature, as evidenced by his biography. Inspired by the book series of Maxime Chattam he created the album Maléfices and series of playlists for thriller reading, with over 10,000 followers, testify to his talent in crafting soundscapes that enrich the narrative experience.

“For You” by Benjamin Cook

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“For You” is a solo piano piece by English composer Benjamin Cook, skillfully blending modern classical influences with the romantic elegance of Chopin. From the first chords, the piece evokes Chopin’s Nocturne Op. 9 No. 2, but with a distinctly personal touch.

“dandelion” by Ostel & Edoardo Gastaldi

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In the ambient track titled “dandelion,” a collaboration between Ostel and Edoardo Gastaldi, the listener is invited to embark on a sonic journey that unfolds through the many layers of introspection. Available on Spotify, the track meanders through an ethereal and reflective soundscape, characterized by layers of sound that beckon a deep and personal exploration.

“dandelion” does not follow a linear narrative but opens up like a kaleidoscope of sensations and images, making each listen a unique and subjective experience. The notes intertwine delicately, creating an environment conducive to contemplation and meditation. The floating melodies and ambient sounds merge into a sound texture that, despite its apparent simplicity, manages to evoke an intense range of emotions.

Thinking outside the box, the modern music industry and today’s independent artists: the Good, the Bad and… the Smugly?

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Everything that is ‘produced’ is by all means a ‘product’, no matter whether it’s done on a large or small scale. Not very romantic as an idea when it comes to art, I know, yet it makes sense isn’t it?

As a musician I’ve been lucky enough to taste both the so-called major publishing houses and the smaller ones, which are pretty often defined as independent companies or labels. 

According to my personal experience, I sense that this acknowledged independency relates to a “F**k the market, let’s do that!” kind of attitude, more or less. Maybe not that profitable, but still very cool. 

“La Valse Du Capitaine” by Sophie Riviere

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“La Valse Du Capitaine” is a solo piano piece that perfectly encapsulates the musical poetry and style of Sophie Riviere, a pianist and composer from the island of Noirmoutier in France. Her music is deeply influenced by the maritime world, having spent her childhood surrounded by sea stories told by her father, a long-distance merchant marine captain and music enthusiast. This composition embodies the fusion of neoclassicism and minimalism, transporting the listener on a nostalgic journey through childhood memories and the natural beauty of the island.

“Endless” is a piano piece composed and performed by Daniela Spadini, a talented Italian pianist with a strong classical background. Her passion for the piano began at a young age, and her career has been marked by a profound connection with her teacher, whose untimely death left a lasting impact on her life and musical journey.

“Primi canti” by Davide Sammarchi

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“Primi canti” is a captivating piece by the talented Italian pianist and composer Davide Sammarchi, born in 1997 in a small town near Siena. This piece is a perfect example of his unique style, which harmoniously blends elements of classical music with contemporary influences, creating a sound experience that is both nostalgic and innovative.

“Come Closer” by Susanne Darre

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Susanne Darre: A Norwegian Talent in Modern Classical and Ambient Music

Susanne Darre is a Norwegian composer and pianist specializing in modern classical and ambient music. Her delicate and emotive piano melodies are created in an old wooden barn situated in the heart of Arctic Norway, an environment that conveys both peace and the majesty of the surrounding nature.

News | Adagio in D Minor by Fabrizio Brugnera, Edoardo Gastaldi and Davide Fasiello

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As 2024 faces a new blooming spring, so does this Magazine. We, Edoardo Gastaldi and Davide Fasiello, would like to celebrate our takeover as owners of the Modern Classical Music Blog by presenting our new piano composition, written in collaboration with Fabrizio Brugnera: “Adagio in D Minor”. The piece is aimed at navigating the interplay between classical and modern classical genres, driving the listener in a constant balance between technical structure and immersive feelings.

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